RESOURCES


SOURCES FOR MATERIALS AND SUPPLIES

There are so many kind of wonderful handmade, hand screened, eco printed, pastepaper, painted, dyed, and marbled papers. Some of the best kinds for boxes are strong but flexible, like Texoprint and Chiyogami,  Lighter, more delicate papers can be used for embellishment,  Sources I list here include places to purchase bookboard, PVA, tools, marbling materials, and other paper supplies. If you have favorites I don’t mention, I would love to hear from you!

VINTAGE PAGE DESIGNS/HANDMADE BOOKCLUB

Ali Manning’s Vintage Page Designs website and Blog has created a whole community of paper arts enthusiasts.  Each Thursday she conducts a FaceBook Live and either teaches a new skill to book artists such as Ecoprinting, PastePaper, Paperfolding, and Zentangles or conducts classes about the business of paper arts,  conducts interviews with artists who are doing interesting and unusual work,or introducing a cool bookbinding project.  She has developed a wonderful BookCoub as well, with some free classes, free tutorials, You Tube videos, as well as a subscription membership with monthly book making videos, challenges, virtual meet-ups, retreats, a dedicated Facebook site and much more,  Worth investigating for Ali’s detailed and beautifully presented tutorials as well as the kind and welcoming community of fellow bookbinders and paper artists.

COLORWAY ARTS

CLAUDIA SQUIO has absolutely wonderful box kits of all kinds, as well as terrific tools for cartonnage - not to mention her well written and helpful text she has written.  She works mainly with fabric over board and has some lovely journals as well as boxes.  She sells her kits and tools on her website and her online videos are inspiring,  She has a Cartonnage Club with all kinds of terrific bonuses and benefits, which you can join by monthly subscription, as well as monthly projects and retreats. She herself is a creative inspiration, a true cheerleader for the creative fun to be had with Cartonnage.

HOLLANDERS

734-741-7531

In Ann Arbor, Michigan, one of the richest sources of materials for paper arts and bookbinding, as well as marbling and cartonnage - great tools, papers, PVA, bookboard, bone folders. They also have a terrific, inclusive website and are very helpful if you have questions. They used to have a marvelous school and storefront, but now have a marvelous online presence for all your paper arts needs.

JERRY’S ARTARAMA

Wonderful source for paper arts, bookbinding, as well as paints, brushes, and surfaces of all kinds - great papers too! Good online presence but if you can get to one of their stores, go!

JAPANESE PAPER PLACE       

Drool worthy catalog of gorgeous Japanese papers, over 2,000 in their catalog, plus a great stock of Origami papers as well, full of great information. Wholesale only, but worth visiting for their online catalog.  Based in Canada.

Their retail site is  The Paper Place, also in Canada.

WASHI ARTS

Owner Linda Marshall stocks over 200 chiyogami papers and 100 katazone-shi papers, as well as opaque, dyed, natural, and tissue weight papers.  Washi Arts carries an extensive selection of Japanese papers from the Japanese Paper Place and offers fast affordable domestic shipping in the United States. In addition to a terrific blog, Washi Arts carries “an extensive range of the finest Japanese papers, tools and supplies for bookbinding, calligraphy, printmaking, graphic design, paper conservation and repair, book arts, letterpress printing, packaging and mokuhanga (Japanese woodblock printing) as well as all types of creative projects and businesses. An impressive site! 

MULBERRY PAPER AND MORE

Excellent service and creative marketing makes Mulberry Paper and More stand out as a source of paper arts suppies.  Catch their studio tour on You Tube! They carry a wide variety of lovely papers including Mulberry, Washi, Lokta, Marbled, Indian, and more, as well as a link to projects and a gallery full of info and inspiration.

JOHN NEAL, BOOKSELLER

Everything from tools and materials, books, and DVD’s, class listings, calligraphy heaven!

TALAS

Wonderful site for tools, conservation and archival supplies, bookbinding supplies, book cloth, etc.

USARTQUEST

18650 W. OLD US 12                                                                                                                          Chelsea, Michigan 48118

Nice people, a whole warehouse of great papers, art supplies, classes, frequent sales. Worth a stop if you are in the area.   743-562-2662

DICK BLICK

The optimal  supplier of art supplies, papers, pens, paints, surfaces, brushes, and tools.

COLOPHON BOOK ARTS

Lacey, Washington 98503/ 360-459-2940

Owner Nancy Morains sold Colophon a few years ago to a young bookbinder/bookartist Mary Uthuporo, who relocated the business from Washington State to Bloomington, Indiana. Colophon Book Arts has a remarkable website, full of treasure for book artists.  Great service, fine prices, terriic tools and treasures for traditional European Marbling and suminagashi as well.

VOLCANO ARTS

An amazing website with  inspiration and materials for bookbinding, metalsmithing, glss and soft soldering, eyelets, rivets, snaps, and washers, jewelry making, storage, books and videos, leatherwork and great tools throughout! Frequent sales, as well as an intriguing newsletter.  The owner, Christine Cox, is an amazing creative artist and writes  a useful and inspiring blog as well. 

MARBLING SUPPLIES, VIDEOS, INSTRUCTION

Galen Berry has paints, tools, marbling kits, Texoprint paper at reasonable prices, with a terrific and beautiful website.  405-949-1239

http://marbleart.us/MarblingSupplies.htm

Heidi Richenbach Finley, who is based in Michigan, not only teaches classes in marbling, but as an active artist herself, has created a line of paints and other marbling supplies, including a great kit - worth looking at!  Her colors are vibrant and her manual is excellent.  Look for her on YouTube as well, and her Etsy website for marbling supplies ,https://www.etsy.com/shop/MarblingSupplies?ref=profile_header


A BIT OF PRESS FOR LIBERTY GROVE PAPER ARTS!

2021 Online Interview and short class, Origami Folded Box/Card, Vintage Page Designs


2020 Online Interview with Ali Manning,  Zoom Full Day Workshop, Handmade Book Club


2013 Article in the Peninsula Pulse: Sharing a Passion for Paper

http://www.ppulse.com/Articles-Art-Features-c-2013-07-24-109637.114136-Sharing-a-Passion-for-Paper.html

https://doorcountypulse.com/an-ageless-art-form-nancy-akerly-and-paper-marbling/

2016: An Ageless Art Form: Nancy Akerly and Paper Marbling

http://www.rivernewsonline.com/main.asp?SectionID=9&SubSectionID=1054&ArticleID=61605

2015: Rhinelander School of the Arts, newspaper Article


Marbling Resources:

LIBERTY GROVE PAPER ARTS, MARBLING BASICS

TOOLS AND SUPPLIES

Marbling Tray: A shallow cookie sheet (11 1/2 x 17 1/4 standard) oran 11 x 14 acrylic box frame work well for 9 x 12 papers. If you work with larger papers use a tray that is 2 or 3 inches longer and wider than the paper or fabric you use.

Rinsing Tray: You will need another surface the same size as your marbling tray to take to the sink and rinse.

Stir Stick or Stylus: a chopstick, a 3/4 inch dowel, or a skewer

Combs: a piece of wood or sturdy cardboard 1/8 inch narrower than the width of your tray, with pins glued at regular intervals such as every 5 ml or 8-10 ml.

You can also purchase fine tooth combs with double rows of pins.

Rakes: a piece of wood or sturdy cardboard 2 inches shorter than the length of the tray, with nails every 2 inches. A double or Peacock Rake has two rows of

alternating nails.

You can make both combs and rakes from hair picks stuck though lengths of dry wall corners, available at hardware stores. Corrigated cardboard is also a good substitute and will be sturdy enough to glue pins in place.

Brushes: I use whisks made of broom straw. I prefer plastic because it does not mold or drop flecks of straw into the size as I work. Natural broom straw can

also be used however. Gather the broom straw into small bundles and secure one end with a rubber band. You will need one brush for each color of paint.

Eye Droppers or Pipettes: Another good way to apply color, especially in large trays, the advantage being a more exact placement of color, as well as very

useful for Ebru or Turkish representational marbling.

Both Galen Berry and Heidi Finley have fairly inclusive marbling kits. I buy my rakes, combs, carrageenan, alum, gall, brushes, and paints from these reputable sources. Hollanders also has marbling supplies. I buy Utrecht paints from DickBlick when I mix my own paints.


 Paper: There are many papers that marble well. I use Texoprint papers, which is made in Wisconsin by the Neenah Paper Company, but I purchase it from Galen Berry at his marbleart.us site online. Other papers are available from sites like MarblingSupplies, Heidi Finley’s Etsy site, as well as from online sources like

Dick Blick and Hollanders, among others. Arches Textwove paper works well, as do some Japanese papers. Coated or buffered papers do not work well, as thepaints slips right off. Watercolor papers, Rice paper, Masa, and lokta papers give your work a lovely texture. Any paper that can withstand getting wet without shredding, wrinkling, or curling would be a good bet. Using colored papers is interesting - Tru Ray Construction paper in various colors works surprisingly well.

Fabric, Etc.: Marbling on fabric is similar to marbling on paper. Cotton blends and silk marble beautifully. I buy mine from Dharma Trading Company. I always

wash the fabrics first to remove any sizing. You can also marble on wood, pottery, mat board, cardstock, and other surfaces, although the techniques are a bit different. A good supply of both cotton and silk on which to marble is available from Dharma Trading Company, https://www.dharmatrading.com/

Paints: You can purchase premixed Marbling Paints from Heidi Finley and Galen Berry, among others. See the resources page for their info. You can also mix

color dense acrylic paint with water, such as Golden Paints or Utrecht Artists Acrylics. Start with one part paint to 1/2 part water and keep adding until it stirs like heavy cream. Then try it out on your carrageenan size and adjust the amount of water. The amount will vary with both brand and colors within the brand. You will need to test, play, and try until you find what works best for you. For a beginner, I recommend either Heidi’s or Galen’s paints. They have a wide array of gorgeous colors, all ready to stir and use.

When you start to marble, place an inch or so of paint into a clean jar. You will need a different jar for each color. You need to use your broom straw brush to stir each and every time you pick up the jar to use. Really. Each and every time, no exceptions!

Alum: (aluminum sulfate) Marbling alum is used as a mordant, holding the paint on the paper so it does not wash off. Mix 1 teaspoon to 1 cup of warm

water. Stir well. Then apply with a wet to damp sponge on the side without the x or your initial, horizontally, then vertically, covering the whole surface of the paper. Let dry to damp or drier stage. Place under a sheet of cardboard or a board with a weight on it so it lies flat until you are ready to marble.

  

 The Size: You can use either Methyl Cellulose or Carrageenan as the size for your tray. I like Carrageenan because it gives a crisper image and more brilliant

color, although I know marblers who swear by Methyl Cel. It is considerably less expensive than Carrageenan. Carrageenan, or Irish Moss, is a kind of seaweed, processed into a white powder, then mixed with water in a blender. For one gallon, I put 2 Tablespoons plus 2 teaspoons powdered carrageenan into my blender. I then fill the blender container with water from a gallon jug (depending on the mineral content of your water, you may use tap water or distilled water) Blend on high for one full minute, then add to the remaining water in the gallon jug. Shake briskly and let it settle overnight to calm the bubbles. It will be ready to use in the morning. If you don’t have that kind of time to let it rest, you can use it in a shorter time, but will need to be sure to skim it repeatedly to rid the bath of air bubbles. I use a half gallon to fill my 12 x 14 tray. As you marble you may find that you may need to regularly refill your tray to replace the carrageenan you have washed off when you rinsed your papers.

I hope you find these resources useful. Have fun - marbling is full of potential: traditional patterns from the 1700’s, suminagashi from 1000 years ago from Japan, classic Ebru, Cloud Painting, from Turkey, modern innovations from places like China River Marblers - unlimited potential! There are wonderful classes at folk schools, paper arts centers and Book Arts Centers. Or come and take a class with me when things are back to normal. Explore and enjoy!

Nancy Akerly

Liberty Grove Paper Arts http://www.libertygrovepaperarts.com

Liberty Grove Paper Arts

Sister Bay, Wisconsin 54234







© Nancy Akerly 2021